C Kkompany Movie review

MUNNABHAI M.B.B.S. started a trend of sorts. Gangsters with a heart of gold acting as modern-day Robinhoods. Robbing the notorious rich and helping the oppressed poor.

Writer turned debutante director Sachin Yardi borrows a leaf from MUNNABHAI M.B.B.S. and presents a tale that not only talks of Robinhoods, but also makes a scathing attack at news reporting hitting an all-time low (anything for TRPs), makes digs at Ekta Kapoor and her serials, also looks at the underworld-builder-cops nexus.

The story of three losers attaining power overnight makes for interesting viewing.

But the problem is, C Kkompany lacks consistency. The comedy is truly hilarious at places, but there're times when you sit motionless, not reacting to the on-screen antics. If the first hour is a joyous ride, the second hour is akin to driving on a road full of potholes. T

he climax is also a letdown (in the mela), although the end sequence -- C Kkompany is now a movement -- was the right way to conclude the film.

All said, C Kkompany had the germs of being a cool entertainer, but it ends up being a one-time average watch.

C Kkompany is about three individuals, all living in the 'C' Wing of a middle class housing society: Akshay (Tusshar) is a crime reporter, Mr. Joshi (Anupam Kher) is a retired accountant trying to deal with his ungrateful son and Lambodar (Rajpal Yadav) is at loggerheads with his wife over his job. These three friends share their respective plight with one another and find solace in each other's company.

On one occasion, they play a harmless prank to tackle their problems.

One thing leads to another and before they realize, the incident becomes big news. But things don't stop there. They put their new founded fame to good use and this in turn triggers off a series of incidents, which propel them to such heights that the three become the talk of the nation.

That Sachin Yardi has a flair for comedy was more than evident when he penned the thoroughly entertaining KYAA KOOL HAI HUM. C Kkompany also boasts of humour-laden sequences that keep you in splits at several points.

But keeping the humour alive from start to end is not everyone's cup of tea. Yardi's humour works till the beginning of the second hour, but things stagnate thereafter. Things get repetitive. There's not much movement in the story and the comic scenes also range from enjoyable to avoidable.

Music is quite okay, but the songs -- barring the Sanjay Dutt track at the outset -- show up without valid situations. The Tusshar-Celina track, although well shot, comes up from nowhere. Cinematography is alright.

C Kkompany gets its glory because of its three protagonists. Tusshar is only climbing the ladder with every film. He's excellent. Anupam Kher proves yet again that he's amongst the best in the business. Rajpla Yadav is efficient too.

Mithun Chakraborty is in command after a long time. The veteran is superb. Vinay Apte and Dilip Prabhavalkar do complete justice to their respective roles. Raima Sen is pleasant. Karan Johar, Mahesh Bhatt and Ekta Kapoor's appearances give the film that extra sheen.

On the whole, C Kkompany is funny in parts, not in totality. An ordinary fare!

Rock On!! — Movie Review

Before I start reviewing this film , I would just like to make my purpose of writing this review clear to all the readers . As a reviewer my job is to analyse a film so even though if the film is liked by the masses it is very much possible that I would still find it fairly entertaining and won’t be satisfied with the product . So one thing is clear that Rock On is a good film and would be liked by audience in general to an extent . So should I must stop writing anything about the film and just say that it would be liked by people at large so go and watch it ? My answer to that question is no , I would still write about the film since I have seen it as a general audience and there would be someone that might agree with my opinion .

So cutting the crap off lets talk about the film . The film in my view is a good example how an average film that very well could have been a classic but doesn’t turn out to be one due to some flaws in it . Rock On as we all know is about Music so the biggest role that anybody could play in this movie was the music itself .The heroes of the film are not Farhan or Arjun but it is the music . Chak De is a classic in sports film genre not just only because of SRK or the Girls but mainly because of the Hockey that was shown in it . Same thing applies over here .In Rock On I couldn’t find one single musical tune that I would never ever forget in my life . There was no piece of music that was as powerful so that it can last a lifetime . Music being the base of the film and the base itself wasn’t that strong . I agree that it wasn’t that bad but even music of several films is equally good or even better . But those films are not based on music . This one does . People who would wanna argue with me will say to me that Dude you don’t understand rock music that’s why you are saying so . For them I would like to say that Dude lets assume I don’t understand “Rock” music , so what , most of the people in India don’t but still they listen to LP and Greenday don’t they ? Then why do they do so , the reason being music of all genres is at the end of the day music only and good music can always cheer you up . You don’t have to do a thesis on it . Music of Rock On cheers me up but like all other movies . Mind you this is not a Music Review , I am talking of music because it is the biggest factor and the whole film is based on it .

Lets leave music aside and talk about other aspects . Next comes the script . The script or the story of the film is very much predictable and several such scripts have been already written and just set-up has been changed to an extent . The story as we all know is about a band who gets a chance to fame but gets broken up due to ego clashes and then one day they again reunite to create “Magic” . You would understand why I have quoted the word magic after you see the film . That’s the story of the film for you. Simple and tested many times on screen .

After script comes performances and situations . The audience’s connection with the characters is only limited to an extent and the audience doesn’t get attached to any of the characters . This fact is very much clear from the fact that even though one of the band member is not completely fit health wise you don’t feel sympathised for him to a large extent . You’ll just feel sad but you won’t sympathise because the connection with the character is quite less . On the other hand if SRK gets ill in a film people start crying or at least sympathise with him just because his characters connect with the audience . So the connection is quite less and the characters are forgettable . I still remember sameer , aakash and siddharth of Dil Chahta Hai because I felt connected with them . And I don’t even remember the name of Farhan’s character in the film . I just remember name of Arjun Rampal just because his name is quite cool in the film , Joe Mascarhenas . Sorry if the spelling is wrong .

Then comes acting . Well if you didn’t feel connected to the characters that means the actors didn’t act that well . Most of them were first timers and were good for first timers but were not at all great . The whole group of Jaane Tu.. was much better acting wise . Casting as they plays a big role and I could find only two characters being properly casted , one being Arjun Rampal as tough guy who is soft at heart and his wife(Debby) which is played by Shahana Goswami . This girl has got talent and acting comes naturally to her . She according to me acted the best in the whole film even though her role was quite small . Farhan has acted so so and his acting skills are not as good as his Direction skills so he must focus on what he is better at rather than wasting time on improving his acting . He has done a fair job but why should he act when he can Direct a fine piece of Cinema like Don and Dil Chahta Hai . The two sidekicks Luke Kenni and Purab kohli have done their job like they should have and not tried to become heroes which is appreciable . Purab is quite funny and can act better . Luke is good for the kind of role he has played in this one but nothing more . Then comes Prachi Desai , the TV girl , who looks nice but gives very limited expressions . She was either smiling or mum . She never got a chance to prove her acting skills . Still , it would be quite difficult for her to go ahead in Bollywood . Arjun was as usual , neither too good nor too bad .

After script and acting comes screenplay and Direction . The screenplay of the film wasn’t that tight and had gone lose on several occasions . The pace of the film is a little on the slower side . The cinematography by Jason West was top notch . But I couldn’t understand the basement or the attic where the Band practises . There are no such places in India . You may find many such places in America but not in India . In a way the film would appeal to western audiences more than Indian audience after all how many “original” bands does India have anyways who write and compose songs on their own . There may be a lot but the number would be still low as compared to the west so all the original bands don’t get offended . Then comes Direction which is by Abhishek Kapoor who has done a decent job as a newcomer but could have done much better . How much influence did Farhan had on the sets that we don’t know so nothing can be said about his Direction skills . The story itself and actors were weak what could have the Director done . He should have probably worked harder on the script before going on to make it .

Overall , the film is good and would be liked by people in general . Saying that , I would still say that it could have been a much better film and probably a classic if they would have worked slightly harder . The film would entertain you for its length but won’t blow your minds . So if you want to just pass some time then you can watch it . I expect a top class product from Farhan who is the producer also , especially after films like Don and Dil Chahta Hai coming from his house . The film can be watched once and the efforts that those guys have put in can be appreciated .

Movie Rating : Three Stars out of Five , entertaining to an extent but same old story .

There’s a line that appears on screen after the film ends that says —”Don’t Download the Music , Buy it” which reminded me of the starting credits of the Hollywood Hit “The Simpsons Movie” that featured Bart Simpson writing something on the Black Board as punishment . See the screenshot . I laughed very hard when I saw it since I had myself downloaded the film and watched it even before it got released in India .

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Karzzzz - Music Review

Karzzzz has quite a bountiful to offer for those who want their music albums to be fully loaded.

No wonder, apart from 8 original tracks and one rearranged version of the title song, there are as many as 10 remix tracks, hence making Karzzzz a bouquet of as many as 19 tracks.

Also, when it is an album by Himesh Reshammiya, it is bound to have his stamp from start to finish. This is pretty much apparent as his name is present in credit details for each and every song.

First to come is 'Lut Jaaon Lut Jaaon' which could well be termed as a title song due to the word 'Karz' being heard at regular intervals.

A number which comes across as a brilliant lounge track courtesy the supporting vocals of Harshdeep who creates a haunting effect in the background, 'Lut Jaaon Lut Jaaon' is a highly catchy number that one can't stop humming after just one listening.

The song which carries a deeper meaning due to the essence of revenge being imbibed in the lyrics, it is bound to be the highlight of the film. The 'remix version' that follows is such that it would be surprising if a music video isn't created around it.

Seemingly based on the same setting as 'Om Shanti Om' from the original Karz, 'Hari Om Hari Om' is the next song to arrive. A dance number which has been rendered with a punch with Himesh Reshammiya, it has enough current day ingredients embellished in those 5 minutes.

In fact this is the only number which find two remix versions for itself - an 'Indian Mix' and an 'Electro Mix'.

While the former may find its way into festival pandals due to religious sentiments that the arrangements manage to bring with them, the latter indeed carries an electrifying mood to it which is bound to work on the dance floors with blazing lights and the works helping its cause.

Now comes the kind of sound which Pritam has almost patented in his music, courtesy songs from films like Race, Jannatand Kismat Konnection.

Words like 'Tandoori Nights' may not really make one enthused about what would follow next but Himesh actually does the impossible by creating an entire composition around these words which makes 'Tandoori Nights' the most catchy of all so far.

Add to it Sunidhi Chauhan's voice which suits Urmila Matondkar to the 'T' and you know that this one is going to reach the top of the charts.

A dance number, 'Tandoori Nights' has an interesting 'remix version' as well which succeeds in it's purpose of making you search for those dancing shoes all over again.

Just when one thought that Karzzzz is primarily made of dance numbers (not that one minds that) comes a pleasant surprise in the form of 'Soniye Je Tere' where Himesh Reshammiya goes back to his Indian classical route.

However, he keeps the sensibilities of the urban youth also in mind and amalgamates the modern-day sound with a line or two in English as well, hence making 'Soniye Je Tere' yet another chartbuster track in the offering. As a singer too, Himesh excels particularly in this number which requires him to go into high pitch.

He doesn't disappoint at all, nor does Tulsi Kumar who has a few lines to add as well, in this love song that comes in an even better 'remix version'.

The best song of the album comes soon after in the form of 'Dhoom Tere Ishq Ki' which reminds one of the terrific compositions that Himesh had created for Ahista Ahista two years back.

Pure Indian in its feel and arrangements with no interference whatsoever from any Western instrument, 'Dhoom Tere Ishq Ki' is a love song that one can play on in a repeat mode.

Sameer's lyrics deserve a special mention here as the lyricist keeps the writing simple and yet so engaging. A smooth flowing number which lasts close to 6 minutes, one wonders if there was really a need for its 'remix version'.

However, after hearing this version, one doesn't quite find it bad though the original still remains to be the first choice.

For Himesh's fans and followers, there is a vintage track in the offering with the arrival of 'Sisak Sisak Ke'.

A foot tapping song about being prepared for some tough moments to follow when in love, 'Sisak Sisak Ke' is yet another solo track by Himesh Reshammiya that has English rap-n-reggae interspersed in the proceedings.

Though this one too goes well with the mood of the album, it isn't quite a number which one may classify as being exclusive to Karzzzz (as most of the numbers before this ha

ve been) and could have fit into any other Himesh Reshammiya composed album. Ditto for the 'remix version'.

However, 'Tere Bin Chain Na Aave' which follows is in the league similar to that of 'Dhoom Tere Ishq Ki' as it maintain it's Indian quotient and comes across as yet another unadulterated number.

With a 'ghazal' feel to it, this one has Tulsi Kumar getting yet another number to her credit. Belonging entirely to Himesh Reshammiya, 'Tere Bin' quenches the thirst of those looking for some pure Indian melodies.

Yet another track that one may have wanted to be rather untouched, 'Tere Bin' too finds a 'remix version' attached to it. However, thankfully it is interestingly done due to which one don't mind its presence eventually.

After those three dance numbers at the beginning, Himesh takes a romantic route for the rest of album, something that is visible yet again with the arrival of 'Masha Allah'.

This is one number that one doesn't quite mind hearing in its 'remix version' as it only re-emphasizes the passionate mood of the album.

It is nothing less than a test of sorts for Himesh Reshammiya to get into the big shoes of Kishore Kumar for singing one of the most popular tracks ever that has been churned out in Bollywood.

Recreating 'Ek Haseena Thi', Himesh is careful while both singing as well as composing as he keeps it all under control without going over the top.

While the lyrics are kept as it is, the number is slightly re-arranged without compromising on the intensity of the original. Shreya Ghosal is his singing partner in this duet which is bound to result in goose-bumps all over again when heard in theaters.

Now all director Satish Kauhsik has to do is enhance on the dramatic quotient of the original and give audience a grand finale which lingers in the memory for time to come. Karzzzz is bound to arrive like a hurricane and make sure that it creates ripples at the top of the charts.

Rani and Aditya Chopra had a huge fight

According to inside sources, Aditya Chopra and Rani Mukherji had a fight amongst themselves. As a result of which, they both had even stopped communicating with each other.

Sources revealed, "Rani was upset by the treatment her once special banner, Yash Raj films had been meting out to her post the flopping of her Thoda Pyar Thoda Magic. She was getting the feelers about her no longer being the blue eyed girl of the prestigious banner.

There was no big project announced keeping her in mind and she only had just one film with them that too being directed by a debutant director. But she had kept quiet over this matter despite it all being extremely frustrating for her.

Just later then, Aditya Chopra confronted her over a matter that came in the press.

It is a well known fact that Adi likes to maintain huge secrecy concerning his projects. He was therefore very miffed with Rani that she spoke some off the record things about her film with Yash Raj to her media friends.

What she spoke to them came out in the press and Adi didn't like it one bit. But as he confronted her over this all her boiled up anger came out and she questioned him over his changed attitude towards her post the flopping of TPTM.

Well this further led to a huge argument between the two and they both parted ways refusing to talk to one another. But just a week later Adi took the first step in reconciling their spoiled relation and asked for a meeting with her. Rani agreed and after this meeting they were back to being friends again!"

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